Forum Cinema Paradiso

Forum Cinema Paradiso


 

Sunday, April 18, 2021

Malabimba / The Malicious Whore. 1979. FULL-HD.

Malabimba / The Malicious Whore. 1979. FULL-HD.
IT. Malabimba è un film horror erotico del 1979 diretto da Andrea Bianchi con lo pseudonimo Andrew White.
Nel castello di una facoltosa famiglia viene rievocato, durante una seduta spiritica, lo spirito di Lucrezia, una antenata della casata. Lo spirito di Lucrezia tenta, nella stessa notte, di impossessarsi dell'anima di suor Sofia, la quale vive da tempo nel castello per prendersi cura del paralitico Adolfo, proprietario del castello assieme al fratello Andrea e marito di Nais. Non riuscendovi si impossessa dunque dell'anima dell'adolescente Bimba, figlia di Andrea, che fino ad allora aveva trascorso una vita molto ritirata e riservata.
Nei giorni successivi il comportamento di Bimba muta radicalmente, a causa dell'influsso malefico dell'anima di Lucrezia, e più volte, ella, inconsciamente, mette in luce i vizi sessuali e perversi dei componenti della propria famiglia, in particolar modo della nonna e della zia Nais, e sottolinea la vita lussuriosa e depravata che si conduce all'interno del castello. La ragazza non solo si dà a pratiche di autoerotismo sfrenate ma arriva anche a provocare la morte per infarto dello zio infermo praticandogli una fellatio.
EN. Malabimba – The Malicious Whore (Italian: Malabimiba) is a 1979 Italian sexploitation film directed by Andrea Bianchi.
In the castle of a wealthy family, a seance is held to contact the spirit of a woman who had been murdered. Instead, the spirit of Lucrezia, an ancestor of the family, is recalled during the seance. Lucrezia tries to take possession of the soul of Sister Sofia, who has lived in the castle to take care of the paralytic Adolfo, owner of the castle together with his brother Andrea, the husband of the murdered woman. Not succeeding, she takes possession instead of the body of the adolescent Bimba, daughter of Andrea and the murdered woman, who until then had spent a very withdrawn and reserved life.
In the following days the behavior of Bimba radically changes, due to the evil influence of Lucrezia's soul, and several times, she falls prey of the perverse sexual urges of Lucrezia, while unconsciously sheds light on the sexual and perverse vices of her family members. The family members, worried, entrust the girl to the care of Sister Sofia. The relationship between Bimba and Sister Sofia grows more confidential and between them a loving friendship is born. But in reality Bimba, subjugated by the soul of Lucrezia, sexually tempts the nun into a downward spiral of unspeakable debauchery.
Director: Andrea Bianchi.
Cast: Katell Laennec, Patrizia Webley, Enzo Fisichella, Giuseppe Marrocco, Elisa Mainardi, Giancarlo Del Duca, Pupita Lea Scuderoni, Mariangela Giordano.
Italy, 1979.
Language: Italian, English.
Subtitles: English.
1920x1080 FULL-HD
Download Malabimba / The Malicious Whore. 1979:
2 parts archive:
Part-1
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Malabimba / The Malicious Whore. 1979. FULL-HD.
Malabimba / The Malicious Whore. 1979. FULL-HD.


 

Sunday, April 11, 2021

Le Jeu avec le feu / Giochi di fuoco / Playing with Fire. 1975.

Le Jeu avec le feu / Playing with Fire / Giochi di fuoco. 1975. UNCUT.
FR. Le film a été en compétition lors du Festival international du film fantastique d'Avoriaz 1975.
Est un OVNI cinématographique français réalisé et écrit par Alain Robbe-Grillet qui met en images sur un design signé Hilton McConnico (Diva de Jean-Jacques Beineix et vivement dimanche de François Truffaut) et une très belle photographie de Yves Lafaye une étrange histoire ou un riche Banquier (joué par Philippe Noiret) demande a un étrange homme a double facette (joué par Jean-Louis Trintignant) d'enfermé sa fille (jouée par Anicée Alvina) dans une clinique spécialisée. Mais l'établissement, sous des dehors très respectables, s'avère être une maison de plaisir pour maniaques sexuels... parmi lesquelles on y trouve Sylvia Kristel, Christine Boisson, Joëlle Cœur (une actrice de charme qui est apparu dans des œuvres comme Je suis frigide... pourquoi ? (ou Comment le Désir vient aux filles), de Max Pécas et Jeunes filles impudiques, de Jean Rollin), Nathalie Zeiger (une autre actrice de charme qui a apparu dans Glissements progressifs du plaisir d'Alain Robbe-Grillet et Les Onze Mille Verges d'Eric Lipmann) et sans oublié Agostina Belli qui apparait en femme de chambre... Après avoir réalisé par Glissements progressifs du plaisir ou il y avait déjà Jean-Louis Trintignant et Anicée Alvina... Alain Robbe Grillet récidive avec ce film OVNI qui tourne en dérision les formes traditionnelles du récit cinématographique, malmène les habitudes de perception et s'en prend a l'illusion réaliste, en imposant un postulat ou il joue les stéréotypes, les clichés sado masochistes, les situations érotiques et s'amuse a égaré le spectateur en multipliant les personnages qui jouent double jeu (Philippe Noiret tantôt Banquier tantôt écrivain ou Jean Louis Trintignant...) , retourne les situations (surtout pour le plan final qu'il ne faut pas révéler) et disperse les fils de l'intrigue ou il reprend les procédés de déconstruction du long métrage en a faisant un brillant exercice de remise en question du langage cinématographique... qui est a voir a plusieurs reprises.
EN. Playing with Fire is a 1975 French-Italian comedy-drama film and starring Jean-Louis Trintignant. One of his most commercially successful films, down mostly to the presence of "Emmanuelle" star Sylvia Kristel.
Alain Robbe-Grillet’s mid-career comedy “Le jeu avec le feu” can politely be described as an intensely self-aware parody. I prefer to call it a piss-take of Italian gialli. What you see in the film is not necessarily the truth, and characters are also not what they claim to be. To add to the chaos, actors return to play different characters during its run-time – perhaps this is a Freudian examination, perhaps it is reminding us that everything, like the film, is make-believe, or perhaps the characters themselves are two-faced.
The film begins with banker Georges de Saxe (Philippe Noiret) receiving a demand for ransom from a couple of visiting baddies for something they haven’t achieved yet – they’re yet to kidnap the banker’s precious daughter Carolina (Anicée Alvina), who’s still safely ensconced in her room upstairs.
In order to protect her, Georges hires detective Frantz (Jean-Louis Trintignant) who’d been telegraphed to the audience in advance as working for the kidnappers. Frantz suggests housing Carolina for her own protection at a place the kidnappers would least bother to look – a high-class brothel run by Erica von Eigher (Martine Jouot). He introduces the place to an innocent Carolina as some kind of a ‘clinic’ for women suffering from ‘exhaustion’.
We can easily see where this plot is heading from here, but then again, we may not. Whatever the case, it wouldn’t matter. For most of its duration, the film is an unbridled indulgence in fantasised masochism, a pastime Robbe-Grillet had never hidden or apologised for throughout his personal life. We see thugs bundle away in public view young maidens from night clubs, morning jogs, and even from wedding ceremonies. As Carolina strolls through doors in Erica’s mansion to discover torrid happenings à la Alice in Wonderland, the film teases the audience through Carolina’s implied and faux sexual awakening. It gets ridiculous towards the end to such an extent that a character even complains to camera that the typist girl had messed up the film’s script sequence..!
What is noteworthy however is the straight face with which some of the biggest stars in French cinema play their respective mixed-up roles – they surely relished their outing here. The set designs and shot compositions are done with the greatest care and attention to detail that for a moment, you  might think you’re watching a Visconti or Bergman.
Director: Alain Robbe-Grillet.
Cast: Jean-Louis Trintignant, Philippe Noiret, Anicée Alvina, Sylvia Kristel, Agostina Belli, Serge Marquand, Charles Millot, Vernon Dobtcheff, Jacques Seiler, Michel Berto, Christine Boisson, Marc Mazza, Jacques Doniol-Valcroze, Nathalie Zeiger, Joëlle Coeur.
France, Italy, 1975.
Language: French, Russian.
Le Jeu avec le feu / Giochi di fuoco / Playing with Fire. 1975. UNCUT.
Le Jeu avec le feu / Giochi di fuoco / Playing with Fire. 1975.

Thursday, April 1, 2021

Goloye obshchestvo / Naked Society. 1999.

Goloye obshchestvo / Naked Society. 1999.
This documentary film tells about Russian naturists - their lifestyle, traditions, ideas about the surrounding reality and their place in it.
The film was shot by the Moscow Naturist Club by order of the American company "Al Cinema Video Ltd".
Director: Sergey Zizjulkov.
Russia, 1999.
Language: Russian.
Download Goloye obshchestvo / Naked Society. 1999.
 
Goloye obshchestvo / Naked Society. 1999.
Goloye obshchestvo / Naked Society. 1999.